Woven Impulse unfolds through texture, gesture, and movement. A rugged ground of layered surfaces and muted gold tones holds traces of time and process, forming a quiet yet resistant base. Across this surface, fragments of fabric emerge in flowing red and earthen hues. Twisted, folded, and gathered through instinctive motion, they create forms that feel both held and released.

The work explores impulse as a physical act, something woven rather than planned. Fabric becomes gesture, volume becomes movement, and the surface becomes a field where emotion is embedded rather than illustrated. Resisting fixed meaning, Woven Impulse invites an open reading shaped by intuition, freedom, and the act of making.

Dimensions: 50 × 50 cm

Tension Contained examines the moment where force meets resistance. A dense scrap of fabric is folded, pulled, and gathered into itself, held firmly by metal elements that interrupt its movement. The fabric appears charged with energy, shaped by pressure rather than narrative, as compression creates volume, rhythm, and weight.

Rather than depicting struggle, the work records an action. It captures tension as a physical state, suspended and visible, allowing material, texture, and structure to speak through abstraction. The interaction between softness and rigidity becomes a quiet dialogue, where constraint gives form rather than limits it. The surface holds this balance, preserving tension as a sustained and deliberate state.

Dimensions: 95 × 26 cm

Crescent in the Dark is a wall sculpture shaped by shadow and surface. The background is dense and textured, formed in deep black and brown tones that absorb light and create a sense of depth and stillness. Set against this dark ground, the crescent emerges in gold and earthen hues, its rugged surface hand-shaped and marked by touch and time.

The crescent exists in a state of pause, suspended between appearance and disappearance. It becomes a sign held within darkness, where contrast gives meaning and light is measured rather than declared. Inviting a slow gaze, the work speaks of cycles, waiting, and presence, reminding us that even in darkness, orientation remains.

Dimensions: 78 × 60 cm

Gilded Matter explores material as both surface and substance. Layers of gold, silver, and earthen tones build a rugged and uneven terrain across the canvas, where texture becomes form. Rope is embedded into the surface, coated and transformed, losing its original function to become structure and rhythm.

The work balances weight and luminosity, revealing how matter is altered through gesture, pressure, and repetition. Abstraction emerges through touch, as material is not depicted but allowed to assert its presence.

Dimensions: 30 × 36 cm

Circular Path is formed through layered materials and raw processes. Burnt cement, raffia, rope, and tubular elements are shaped into an organic circular structure, where texture and weight define the form.

The circle suggests continuity without direction, holding a sense of constant movement rather than progression. Materials traditionally tied to function are stripped of purpose and reassembled through gesture, allowing surface irregularities and imbalance to become part of the work’s rhythm.

Dimensions: 74 × 61 cm

Alif, Where Form Begins centers on the simplest and most fundamental gesture, the vertical line. Rising from a ground of earthen gold, the form stands upright and uninterrupted, asserting presence through restraint. The surrounding elements of deep red fabric and metal mesh move around the Alif rather than through it, tracing and echoing its presence.

Here, Alif is not decoration but foundation. It marks the moment where structure precedes complexity, where meaning begins before language, and where all form finds its point of departure.

Dimensions: 78 × 60 cm

Spice is a mixed media wall work grounded in warmth, texture, and residue. Set in earthen and burnt orange tones, the surface carries layers of material that feel pressed, aged, and worked over time.

Cinnamon sticks emerge as vertical elements, dense and aromatic in origin yet treated as structural form rather than symbol. Partially veiled by mesh, they are held in tension, caught between exposure and concealment.

The work explores spice not as scent, but as matter, something that stains, marks, and lingers. Here, heat and earth converge, allowing material to speak through texture, restraint, and quiet intensity rather than narrative or image. aqui

Dimensions: 55 × 35 cm

Beneath the Tide explores movement, depth, and transformation through layered material. Built on a base of mesh stretched across a wooden frame, the work develops through successive applications of texture, gradually forming a dense and shifting surface. The composition evokes the sensation of submerged terrain, where currents shape and reshape matter over time.

Flowing forms and subtle ridges suggest the quiet force of water moving beneath the surface, carving paths and leaving traces within the material. Rather than depicting the sea directly, the piece captures its underlying rhythm and pressure. The layered construction allows the surface to hold a sense of accumulation and erosion simultaneously. Through this process, Beneath the Tide reflects on how unseen forces shape form, preserving movement, depth, and time within the material itself.

Dimensions: 90 × 60 cm

Latent Form inhabits the suspended moment before transformation. The work gathers weight and texture into a concentrated presence, something forming, but not yet revealed.

The metal elements function as stabilizers rather than restraints. They hold the fabric in place, preventing collapse and allowing the structure to exist in balance. What appears fragile is quietly reinforced; what seems soft is sustained through tension and support.

Rather than dramatizing rupture, Latent Form speaks to the quiet architecture of becoming, the unseen structures that allow potential to endure before it takes shape.

Dimensions: 80 × 35 cm

Emergent Form occupies the moment of becoming when a shape begins to surface but resists definition. Its asymmetrical mass and shifting contours allow the eye to travel without settling. What appears as one form dissolves into another.

The work invites projection. The sculpture does not assert a singular identity; it hovers between abstraction and suggestion. Material and surface carry a sense of slow formation, as if the piece has risen from sediment or sea floor.

Rather than presenting a fixed figure, Emergent Form embraces ambiguity, the fluid state in which something is taking shape but has not yet decided what it is.

Dimensions: 60 × 55 cm

Tethered explores the relationship between tension, material, and connection. A rugged surface of layered earthen textures forms the ground from which palm fibers, small branches, and natural fragments emerge, crossing the composition in a diagonal gesture.

Rather than presenting a fixed narrative, the work records an interaction between constraint and balance. Through raw textures and muted earthy tones, Tethered reflects on how natural matter can carry traces of pressure, time, and attachment, transforming the surface into a quiet record of tension held within form.

Dimensions: 80 × 45 cm

Earthen Drift explores the quiet movement that can exist within material. Layers of textured matter rise and fold across the surface, creating diagonal currents that suggest pressure, erosion, and slow transformation. The work carries an earthy palette of muted reds, ochres, and weathered tones, evoking the shifting character of terrain shaped over time.

Rather than representing a landscape directly, the piece approaches the form as a field of motion. Subtle ridges and irregular textures guide the eye across the composition, allowing the structure to feel both grounded and fluid. Through layered materials and raw processes, Earthen Drift reflects on the idea that matter itself is never static.

Dimensions: 65 × 60 cm

Fossil Trace explores the imprint of time within material. This wall-mounted sculpture reveals shifting contours, ridges, and hollowed spaces that change as the viewer moves along its surface. The form appears both organic and mineral, as if shaped through gradual processes of pressure, erosion, and accumulation. Rather than presenting a fixed image, the work unfolds through movement. Through this interaction, Fossil Trace reflects on how traces of form can persist within matter. The piece suggests a moment suspended between formation and erosion, where presence is held not as a solid figure, but as a memory embedded within the surface.

Dimensions: 60 × 50 cm

Surface Memory explores how materials can hold traces of presence long after a moment has passed. A face emerges from a rugged, textured surface, as if pressed into the material through time and pressure. Rather than portraying a specific individual, the piece approaches the face as a universal imprint. Its simplified features hover between recognition and abstraction, inviting interpretation rather than certainty. Through these layered materials and gestures, Surface Memory reflects on how presence can endure through traces, preserving quiet echoes of human existence within matter.

Dimensions: 70 × 50 cm

Anchored explores the relationship between movement, tension, and restraint within layered materials. Mesh, burlap, and textured surfaces are gathered and folded across the composition, forming a dense central mass. A large nail pierces through the layers, acting as a point of fixation that holds the elements together while interrupting their natural flow.
The surrounding surface, marked by cracks and weathered textures, suggests a process of drying, pressure, and time. Anchored reflects on how structure can both restrict and define form, preserving tension within a suspended and grounded state.

Dimensions: 68 × 60 cm

Nomadic Trace is a mixed media wall work shaped by movement, concealment, and passage. Earthy orange tones form a weathered ground, layered and uneven, carrying the marks of time and use.

A mask emerges partially hidden beneath burlap fabric, wrapped, gathered, and held in place. The fabric suggests shelter and transport, something worn, carried, and reused, while the face remains present but withheld.

The work reflects the condition of the nomad, where identity is shaped through movement rather than permanence. What is revealed and what is concealed coexist, leaving behind only traces of presence, memory, and survival embedded within the material.

Dimensions: 60 × 45 cm

The Giving Mountain is a sculptural lamp rising from the earth, dense and rugged, shaped by time, silence, and endurance. Its surface carries the marks of hand and material, grounded in dark, earthen tones touched with gold. At its summit rests a crescent holding a smaller sun within, where night and day meet.

At the mountain’s face, a carved and quiet door appears, suggesting a threshold not meant to be crossed, but received. The work reflects revelation as a gift granted through stillness, speaking of attention. Here, light is not sought but given, and the mountain stands as both witness and bearer of what is sacred.

Dimensions:

Grounded Under the Crescent is shaped by earth and time. Its form is weighty and rooted, marked by rugged surfaces and tones drawn from the ground itself. The crescent appears not as a distant symbol, but as a presence brought close. Held within reach, yet elevated enough to be observed.

The diagonal rise introduces a quiet tension between stillness and awareness, making the crescent a point of orientation rather than ascent. The work reflects the humility of standing beneath the moon, grounded in the physical world while attentive to the signs that guide us, held in a moment of pause and recognition.

Dimensions: 55 × 40 cm

From Within, Noor is a vertical sculptural lamp formed in deep black, its surface raw, textured, and deliberately restrained. The body stands as a solid mass, interrupted by a single, irregular fissure that runs downward, organic in form and shaped as if by time rather than force.

From this inner rift, light emerges, warm, concentrated, and quiet. As it reveals fragments of gold embedded within the darkness, light and material merge into a continuous gesture. The contrast between shadow and illumination reflects light as something contained and revealed rather than imposed, inviting reflection and inner attention.

Dimensions: 65 cm height