Woven Impulse unfolds through texture, gesture, and movement. A rugged ground of layered surfaces and muted gold tones holds traces of time and process, forming a quiet yet resistant base. Across this surface, fragments of fabric emerge in flowing red and earthen hues. Twisted, folded, and gathered through instinctive motion, they create forms that feel both held and released.

The work explores impulse as a physical act, something woven rather than planned. Fabric becomes gesture, volume becomes movement, and the surface becomes a field where emotion is embedded rather than illustrated. Resisting fixed meaning, Woven Impulse invites an open reading shaped by intuition, freedom, and the act of making.

Dimensions: 50 × 50 cm

Tension Contained examines the moment where force meets resistance. A dense scrap of fabric is folded, pulled, and gathered into itself, held firmly by metal elements that interrupt its movement. The fabric appears charged with energy, shaped by pressure rather than narrative, as compression creates volume, rhythm, and weight.

Rather than depicting struggle, the work records an action. It captures tension as a physical state, suspended and visible, allowing material, texture, and structure to speak through abstraction. The interaction between softness and rigidity becomes a quiet dialogue, where constraint gives form rather than limits it. The surface holds this balance, preserving tension as a sustained and deliberate state.

Dimensions: 95 × 26 cm

Crescent in the Dark is a wall sculpture shaped by shadow and surface. The background is dense and textured, formed in deep black and brown tones that absorb light and create a sense of depth and stillness. Set against this dark ground, the crescent emerges in gold and earthen hues, its rugged surface hand-shaped and marked by touch and time.

The crescent exists in a state of pause, suspended between appearance and disappearance. It becomes a sign held within darkness, where contrast gives meaning and light is measured rather than declared. Inviting a slow gaze, the work speaks of cycles, waiting, and presence, reminding us that even in darkness, orientation remains.

Dimensions: 78 × 60 cm

Gilded Matter explores material as both surface and substance. Layers of gold, silver, and earthen tones build a rugged and uneven terrain across the canvas, where texture becomes form. Rope is embedded into the surface, coated and transformed, losing its original function to become structure and rhythm.

The work balances weight and luminosity, revealing how matter is altered through gesture, pressure, and repetition. Abstraction emerges through touch, as material is not depicted but allowed to assert its presence.

Dimensions: 30 × 36 cm

Circular Path is formed through layered materials and raw processes. Burnt cement, raffia, rope, and tubular elements are shaped into an organic circular structure, where texture and weight define the form.

The circle suggests continuity without direction, holding a sense of constant movement rather than progression. Materials traditionally tied to function are stripped of purpose and reassembled through gesture, allowing surface irregularities and imbalance to become part of the work’s rhythm.

Dimensions: 74 × 61 cm

Alif, Where Form Begins centers on the simplest and most fundamental gesture, the vertical line. Rising from a ground of earthen gold, the form stands upright and uninterrupted, asserting presence through restraint. The surrounding elements of deep red fabric and metal mesh move around the Alif rather than through it, tracing and echoing its presence.

Here, Alif is not decoration but foundation. It marks the moment where structure precedes complexity, where meaning begins before language, and where all form finds its point of departure.

Dimensions: 78 × 60 cm

The Giving Mountain is a sculptural lamp rising from the earth, dense and rugged, shaped by time, silence, and endurance. Its surface carries the marks of hand and material, grounded in dark, earthen tones touched with gold. At its summit rests a crescent holding a smaller sun within, where night and day meet.

At the mountain’s face, a carved and quiet door appears, suggesting a threshold not meant to be crossed, but received. The work reflects revelation as a gift granted through stillness, speaking of attention. Here, light is not sought but given, and the mountain stands as both witness and bearer of what is sacred.

Dimensions:

Grounded Under the Crescent is shaped by earth and time. Its form is weighty and rooted, marked by rugged surfaces and tones drawn from the ground itself. The crescent appears not as a distant symbol, but as a presence brought close. Held within reach, yet elevated enough to be observed.

The diagonal rise introduces a quiet tension between stillness and awareness, making the crescent a point of orientation rather than ascent. The work reflects the humility of standing beneath the moon, grounded in the physical world while attentive to the signs that guide us, held in a moment of pause and recognition.

Dimensions: 55 × 40 cm

From Within, Noor is a vertical sculptural lamp formed in deep black, its surface raw, textured, and deliberately restrained. The body stands as a solid mass, interrupted by a single, irregular fissure that runs downward, organic in form and shaped as if by time rather than force.

From this inner rift, light emerges, warm, concentrated, and quiet. As it reveals fragments of gold embedded within the darkness, light and material merge into a continuous gesture. The contrast between shadow and illumination reflects light as something contained and revealed rather than imposed, inviting reflection and inner attention.

Dimensions: 65 cm height